Aromatica Poetica

A fantastical, one-eyed flower rises against a pale pink brick wall, its golden, flame-shaped head framing a vivid green eye with a magenta sclera. Black, twisting tendrils sprout from its crown, while red, spotted petals and purple sepals cradle its face. Its thorny violet stem bears two black leaves. Behind it, delicately sketched shelves hold bottles, books, flowers, and a seated cat, lending domestic whimsy to the monstrous bloom. By Alabaster Rhumb for "Roots."

“Roots” * Flash Fiction * Adrianna Gordey

aromatica poetica October 28, 2026

The crescent moon-shaped scars on my knuckles itch as they hover above Rhiannon; the plant repulses my hands because her appetite is the source of their suffering. Scythe sharp thorns along Rhiannon’s stem curl inward like fingers beckoning me closer. Her ink-black leaves shiver in anticipation of lunch. The violet veins wrinkling their faces pulse, ley lines in dire need of a sacrifice. No matter how much Rhiannon feasts, she’s always hungry. The plant is an heirloom and family tree. …

A surreal, landscape-format digital painting depicts a glowing match held between indistinct, red-lit fingers emerging from the left. Its yellow-white flame burns against a smoky black sky, illuminated by a hazy, moonlike orb in the upper right. Below, swirling masses of scarlet and orange suggest a raging fire, while scattered embers hover in the darkness. Soft, blurred edges give the composition a dreamlike, ominous intensity. An AI take on a human-created digital sketch by Alabaster Rhumb.

“Play With Fire” & Other Poems by Deborah R. Majors

aromatica poetica October 19, 2026

Play With Fire Strike a match. Watch the cardboard curl upon itself before you slowly wave it out. Now, smell that thick swirling smoke— let it warm your nostrils and stick to your tongue, its earthy gunpowder bouquet, lingering. Then, light as that disappearing wisp, place your right hand, gently, upon my thigh. Flared Nostrils I smell like old people when I visit him in this place corralling the sick and dying, like a musty attic wiped with a …

An engraving after a photograph of Teresa Stolz (1834–1902): a Bohemian-born soprano and one of Verdi's favorite singers. She famously sang Aida in the opera's European premiere at La Scala in 1872. Here she stands in a confident three-quarter pose, her right hand planted on her hip and her left arm hanging relaxed at her side. She gazes off to the left with a serious, determined expression, with strong dark brows and a steady stare. Her long, dark, wavy hair falls past her shoulders. The costume is an elaborate 19th-century theatrical idea of an Ethiopian princess: A jeweled band across her forehead with a large round ornament at the temple, topped with a plume of feathers, long drop earrings, a broad beaded collar necklace in an Egyptian style, armbands on her upper arm, and bracelets on both wrists. Public domain. For “My P.U.”

“My P.U.” and Other Poems by Paul Hostovsky

aromatica poetica October 6, 2026

Crumbs Whenever she ate she talked about food, all the magnificent repasts of her past, with her mouth full. And he’d sit across from her and watch the food on her plate grow smaller and more insignificant with each description of some towering feast or exquisite confection of her youth. She’d close her eyes to remember, shaking her head as if to say, “No, you can’t really see it from here.” Then she’d open her eyes and he’d feed on …

Dry creek bed in Kimble county, Texas: A black-and-white landscape photograph shows a broad, shallow creek winding across a dry, stony bed through scrubland. Pale gravel bars and scattered rocks border the water, while low shrubs and small leafless trees dot the banks. In the foreground, several fallen branches lie across the creek bed, including one long limb stretching diagonally through the frame and another tangled cluster of weathered wood near the opposite bank. Beyond the creek, dense brush rises toward low, gently rolling hills beneath a wide, softly clouded sky. Russell Lee, 1940, for the Farm Securities Administration (FSA). From NYPL Digital Collections.

“Creek Bed Meditation #1” * Poetry * Darren C. Demaree

aromatica poetica September 18, 2026

They were wrong, here is there. The tree that fell overnight still shimmers with flailing roots. Findings, openings, bones that can be cleared from the shale, time is a hawk & I’m a hawk & even our flights are not so elegant. It’s all bodies, awkwardly falling into each other. Think. Think. Crash. —About Darren C. Demaree— My poems have appeared, or are scheduled to appear in numerous magazines/journals, including Hotel Amerika, Diode, North American Review, New …

Scented wearables for Other Senses description: Six irregular, finger-sized forms rest on richly embroidered dark fabric. Pale yellow, creamy material clings to and envelops thin, translucent brown flakes, creating surfaces that seem simultaneously waxy, papery, scaly, and crumbly. Beneath them, thick curling embroidery in crimson, orange, and gold gives the whole image a lush, tactile warmth.

Other Senses * Performance & Gathering * September 26, 2026

aromatica poetica September 17, 2026

Other Senses is a seasonal, multisensory performance and gathering in Brooklyn… Hosts/house band: Ivy Meadows – Sound/Music Lauren Race – Touch/Taste Leona Godin – scent/Text Fall guest artists: Alabaster Rhumb – Music/Poetry Samantha Sea Sea – Performance/art Bonita Oliver – Vocals/art Saturday, September 26, Doors: 7pm. Performance: 7:30pm at the Sunview Acropolis 257 Nassau avenue, Brooklyn Free but space is limited! Please RSVP to OtherSensesNYC At gmail.com. You can also email with any access needs. BYOB, my friends! …

A soft-focus close-up peers down into a pale green drink containing mint and a curl of sliced cucumber. The ingredients dissolve into luminous shapes, their boundaries blurred by glass and liquid. Shades of mint, lime, and yellow-green fill the frame, giving the image a cool, muddled, almost abstract quality. Freshness and sharpness mingle in this hazy study of sweet and sour. Photo by the author.

“Sweet and Sour” * Fiction * Karin Doucette

aromatica poetica August 26, 2026

Like many young-marrieds in the 1970s, Bob and Jill devoured Siddhartha and Vonnegut, appreciated Hendrix, and filled their bodies with revolutionary meals from the spiralbound pages of Moosewood Cookbook and the Diet for a Small Planet. They bought a small, shingled house, set back from the Seattle street, which they papered, painted, and flower-potted with vigor. Both got good jobs and then had a healthy, happy son. On TV, Julia Child stirred an enticing pot of life’s possibilities which captured …

A hyper-realistic photograph-like image: A bare forearm rises diagonally from the lower left toward a clenched fist near the upper center-right. The fist is crushing an enormous handful of intensely saturated electric-blue Slurpee. The blue ice bulges extravagantly between essentially every finger, with chunks breaking away and suspended droplets falling beneath the hand. The fingernails are painted glossy black with multicolored glitter, but the polish is chipped and irregular, exposing portions of the nails. Blue syrup and ice flecks stain the fingers. Melted blue liquid pours down the wrist and forearm in thick, irregular streams. The skin is very wet and shiny, with strong sunlight picking out pores, creases, hairs, and reflections. Behind the arm is a warm cream/off-white concrete wall, softly out of focus. It has stains, small dark marks, seams and weathering, but nothing that competes with the hand. A narrow gray-brown strip of ground appears along the bottom. The blue is astonishing. Created with ChatGPT for “slurpees.”

“Slurpees” * Poetry * Riley Fable

aromatica poetica August 12, 2026

slurpees coca cola slurpee brown, the green on an apple flavored candy, like the soda but with small pieces of ice, the slush stays in your mouth for a bit longer; cold against your lips, tangy taste coating your whole tongue; premier blue like the ocean on its brightest days, the harsh lights of an excitingly luminescent crystal, frozen liquid that you really shouldn’t drink again. I see the same emptiness by the hotel exit, I don’t know whether I’ll …

Centered within a wide white border is a black-and-white photograph of a devastated urban street framed tightly around an elderly man sitting on a wooden bench. He is bald and dressed in a dark suit, white shirt, and tie. His posture is slightly forward, with one hand resting on the bench and the other near the handle of a long cane that extends diagonally. Facing the camera, his expression is solemn and composed rather than overtly emotional. Immediately behind him stands a tracked construction vehicle, its heavy metal body filling much of the middle ground. The background consists of a ruined city street lined with bomb-damaged buildings. Rubble spills across sidewalks and into the roadway. On the right, the shell of a commercial building survives, the letters of its faded sign are difficult to decipher. Farther back, fragments of taller buildings and decorative towers punctuate the skyline, hinting at the neighborhood's former architectural richness. The overall effect is one of profound stillness: a solitary man quietly inhabiting a landscape of last days. (Public domain, from the author.)

“Last Days of Ambrogino” * Fiction * Peter J. Dellolio

aromatica poetica August 7, 2026

I was told that after the war a patrol of soldiers found me lying unconscious in an abandoned building in a town I could not remember. The soldiers brought me to a hospital where I was gradually revived and given medication for some wounds I had received. These were not gunshot wounds. When I awoke, I could not recall who I was or where I had come from. That is, I did not know if I belonged to this town, …

A triptych of cyanotypes from Anna Atkins’s Photographs of British Algae presents three seaweed specimens—large marine algae—rendered as white silhouettes against deep blue. From left to right: Cystoseira ericoides, Sargassum bacciferum, and Cystoseira granulata. Their forms grow increasingly dense and intricate, while faint handwritten labels quietly anchor the images in scientific taxonomy.

Blue Blades, Blue Times * Poems by Gabriella Garofalo * Cyanotypes by Anna Atkins

aromatica poetica April 28, 2026

To P. Are words partners in crime with life? A heated argument going on, While the rough wild sea can’t wait For souls to dive in and on no accounts Can flowers rise- No funny ghosts, but real wrath and hunger If over here, away to the left, In the lane alongside your fields, Maudlin ballads or garish sunsets keep shouting At full blast that life is wonderful, the trick of blue gamblers- But hush now, look, hope and desire …

“Petri Dish Emotions” is a vibrant, collage-like composition that fills the frame, structured around four large circular forms resembling petri dishes or cells. Each circle contains layered spirals and fragments of cut paper—snippets of printed text with phrases such as: “A Wild Love,” “connect,” “research,” “deep time”, and organic shapes—arranged in swirling motions. The background is densely textured with crayon or pastel marks in green, yellow, pink, and blue, creating a sense of energetic movement between the circles. Smaller circular cutouts scatter across the surface, especially in the lower right, adding rhythm and variation. The overall effect is playful yet intricate, evoking microscopic life, growth, and interconnected systems.

“Petri Dish Emotions” & “Eating Emotions” * Art & Poetry * Janina Aza Karpinska

aromatica poetica April 3, 2026

Note from the author to the editor: I had in mind that I might send you “Eating Emotions,” originally published in Magma 85—a schools edition, but reworked since looking at it again. This morning when I lifted my head I noticed a piece of artwork I’d made, Petri Dish Emotions, that held my eye in a way that only made sense later in the day when I saw a short video clip of a TED talk by Brené Brown and …