I am a conceptual artist who began using scent in my practice ten years ago. By conceptual artist, I mean that I use any medium whatsoever to engage in questions I am asking in the studio. Alongside paintings, drawings and sculpture I use scent, words and photographs to obsessively make sense of things. Last fall, I was asked to be on a panel about scent and writing at the Society of Illustrators in New York City. Someone in the audience …